An analysis of the musical urinetown

In a Gotham-like city, a terrible water shortage, caused by a year draught, has led to a government-enforced ban on private toilets. Students Matthew Sides and Angela Nguyen will be designing the costumes, Angela Nguyen will be Assistant Choreographer, while the entire production will be stage managed by student Amber Noble assisted by Heather Morris.

An analysis of the musical urinetown

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An analysis of the musical urinetown

I believe his work on stage definitely helped the given circumstances of the show. He seemed to understand what it meant to be a powerful business man who was exploiting the resources of the poor during the water shortage. I could feel his presence as an audience member whenever he was on stage. I felt he did an excellent job with keeping his energy strong throughout his performance.

He showed how energy lies within the core and as long as you feel it there and match it to your intentions it will come through.

The next interesting element I could see in John was his ability to match his physical movements with the text.

Trying to learn something new every day.

I could see his desire for power in his physical stature. I believe he did a lot of work developing ways to move around the stage.

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All while keeping in mind that a powerful man like Cladwell would not likely waste any movements. I felt his movements appeared quick and efficient which felt right considering a powerful man like him would not wander.

Every movement he made felt necessary for his character and current objective. I never felt like his movement was due to the actor feeling uncomfortable or bored with a certain position.

The movements he made seemed to be very natural for the character he created. One thing that stuck out to me was the action of always opening his suit jacket when he would stand and buttoning it when he sat. I know this is very simple but these little details are the things that seemed to separate his performance from others.

The third element I want to focus on is his use of vocals. He did an amazing job of speaking with strong vocal support. This is something that is hard to explain but when you see it done wrong it is very obvious. I believe it had a lot to do with being grounded within himself and having strong control over his breath.

I never once found him running out of air which must have been difficult considering he was singing and dancing often. I found him using some interesting tactics with his voice during his threats to the poor. Both of his attempts to reason and threat the poor into conforming to his vision were supported by his voice.

His articulation was great and volume was never a problem but I do feel a lot of that was due to having a microphone. On the contrary, if he did have poor articulation it could have easily been exploited with the use of a microphone.

I really enjoyed his vocal choices during moments between him and Pennywise, it gave the strong implication of sexual tension without actually stating it. It showed he knew how to use all of his acting tools and not just bodily movements. I believe John appeared to be well connected to the other actors and showed it physically while others were speaking.

I could see John, the actor, truly listening to the other actors as they spoke to him and I could see his body physically reacting accordingly. I noticed his facial expressions were constantly changing as others were talking, slightly at times, but proved to me that he was actually processing the information he was hearing.

This is a strong indicator that someone is actually listening attentively and not just waiting for their next turn to speak. Overall, I feel John Watkins did a wonderful job in his performance as Cladwell. I am sure there are plenty of things that he knows he can still improve, but I feel his performance was inspiring to watch.

I feel he truly understands all the topics we discuss in class and has found great ways to apply them. By simply watching his performance I knew he did all the work needed to develop a realistic character under the given circumstances.

I believe it is relatively rare to find a performer use all the tools accessible to them the way John did throughout the show.

Concert Selections for Urinetown

Whenever a performer does that the audience members tend to remember the performance beyond the confines of the theatre.Urinetown characters breakdowns including full descriptions with standard casting requirements and expert analysis. 1 Urinetown: the Musical - Character Outlines Whilst there are several lead character roles, every player is required to characterize an individual role.

Urinetown characters breakdowns including full descriptions with standard casting requirements and expert analysis. Urinetown: The Musical is a satirical comedy musical that premiered in , with music by Mark Hollmann, lyrics by Hollmann and Greg Kotis, and book by Kotis.

It satirizes the legal system, capitalism, social irresponsibility, populism, bureaucracy, corporate mismanagement, and municipal webkandii.com: Mark Hollmann. Notes on the NSU Theatre presentation of Music and Lyrics by Mark Hollmann Book and Lyrics by Greg Kotis. Synopsis.

Essay Sample - An Analysis of the Musical Urinetown - OzEssay

One of the most uproariously funny musicals in recent years, URINETOWN, THE MUSICAL is a hilarious tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold. In a Gotham-like city, a terrible water shortage, caused by a year draught, has.

Urinetown Character Breakdown BOBBY STRONG The dashing, rebellious everyman who works for Miss Pennywise at the poorest, filthiest town urinal.

Urinetown (Musical) Plot & Characters | StageAgent